The last of the "Nine Old Men" dies

Anyone remotely interested in animation knows about the "nine old men." Among them were Frank Thomas and Ollie Johnston whose book The Illusion of Life has been in my reference library for years. Fans of Pixar's Incredibles may remember a quick exchange between two old men, both voiced by Frank Thomas and Ollie Johnston. Sadly, Ollie Johnston passed away on Monday. This is from the Associated Press:

LOS ANGELES, California (AP) -- Ollie Johnston, the last of the "Nine Old Men" who animated "Snow White and the Seven Dwarfs," "Fantasia," "Bambi" and other classic Walt Disney films, died Monday. He was 95.

Johnston died of natural causes at a long-term care facility in Sequim, Washington, Walt Disney Studios Vice President Howard Green said Tuesday.

"Ollie was part of an amazing generation of artists, one of the real pioneers of our art, one of the major participants in the blossoming of animation into the art form we know today," Roy E. Disney, nephew of Walt Disney and director emeritus of the Walt Disney Co., said in a statement.

Walt Disney lightheartedly dubbed his team of crack animators his "Nine Old Men," borrowing the phrase from President Franklin D. Roosevelt's description of the U.S. Supreme Court's members, who had angered the president by quashing many of his Depression-era New Deal programs.

Although most of Disney's men were in their 20s at the time, the name stuck with them for the rest of their lives.

Perhaps the two most accomplished of the nine were Johnston and his close friend Frank Thomas, who died in 2004 at age 92. The pair, who met as art students at Stanford University in the 1930s, were hired by Disney for $17 a week at a time when he was expanding the studio to produce full-length feature films. Both worked on the first of those features, 1937's "Snow White and the Seven Dwarfs."

Johnston and Thomas and their families became neighbors in the Los Angeles suburb of Flintridge, and during their 45-minute drive to the Disney Studios each day, they would devise fresh ideas for work.

Johnston worked as an assistant animator on "Snow White" and became an animation supervisor on "Fantasia" and "Bambi" and animator on "Pinocchio."

He was especially proud of his work on "Bambi" and its classic scenes, including one depicting the heartbreaking death of Bambi's mother at the hands of a hunter. That scene has brought tears to the eyes of generations of young and old viewers.

"The mother's death showed how convincing we could be at presenting really strong emotion," he remarked in 1999.

Johnston's other credits included "Cinderella," "Alice in Wonderland," "Peter Pan," "Lady and the Tramp," "Sleeping Beauty," "101 Dalmatians," "Mary Poppins," "The Jungle Book," "The Aristocats," "Robin Hood" and "The Rescuers."

"[People] know his work. They know his characters. They've seen him act without realizing it," film historian Leonard Maltin said. "He was one of the pillars, one of the key contributors to the golden age of Disney animation."

After Johnston and Thomas retired in 1978, they lectured at schools and film festivals in the United States and Europe. They also co-authored the books "Bambi: The Story and the Film," "Too Funny for Words," "The Disney Villains" and the epic "Disney Animation: The Illusion of Life." They were the subjects of the 1995 documentary "Frank and Ollie," produced by Thomas' son Ted.

The pair's guide to animation is considered "the bible" among animators, said John Lasseter, chief creative officer for Walt Disney and Pixar animation studios and Johnston's longtime friend.

Oliver Martin Johnston Jr. was born October 31, 1912, in Palo Alto, California, where his father was a professor at Stanford. He once noted that he and Thomas "were bound to be thrown together" at the university, as they were two of only six students in its art department at the time. When not in class, they painted landscapes and sold them at a local speakeasy for meal money.

Johnston had planned on becoming a magazine illustrator but fell in love with animation.

"I wanted to paint pictures full of emotion that would make people want to read the stories," he once said. "But I found that [in animation] was something that was full of life and movement and action, and it showed all those feelings."

Johnston was honored with a Disney Legends Award in 1989, and in 2005, he was the first animator honored with the National Medal of Arts at a White House ceremony.

He was also a major train enthusiast. The backyard of his Flintridge home boasted a hand-built miniature railroad, and Johnston restored and ran a full-size antique locomotive at a former vacation home in Julian, California.

Johnston's wife of 63 years, Marie Worthey, died in 2005. Johnston is survived by sons Ken and Rick and daughters-in-law Carolyn Johnston and Teya Priest Johnston. The Walt Disney Studios is planning a life celebration for Johnston. Funeral services will be private.

Not quite there...

I need to adjust the transition a bit, but I like the beginning...

Fewer clouds

Here's a longer push, but with fewer clouds...

Rev. Rough Clouds

Some clouds combining Maya and After Effects...

Ready-made clouds in Maya

Here are some ready-made clouds found in Maya's visor which I animated a camera through. They look better than the ones I made from scratch.

Light sabers

And here's something I made goofing around, but never finished. So don't adjust your speakers, there's no sound...

Stars

Here are some stars (very similar to the ones seen in my Enterprise project) I'm testing for a CG short I'm writing and producing. It's an idea I've had for years. I have this unrealistic goal of getting nominated for an animated short Oscar. Whether that happens or not, at least once it's produced I can be rid of these images that are swimming around inside my head - ha ha.

Pale Blue Dot - well, maybe not quite so pale

The Earth below is a little better, though not perfect. I made it, the moon and the stars in Maya while I created the clouds in After Effects. I also did a small bit of color correction in AE to desaturate the blues - although I think more attention to color is needed here. The Earth and moon are NURBS spheres with high tesselation to get a smooth edge. The Earth's atmosphere is made with fluids. And the sunlight of course comes from one directional light. Although this is only a still frame, the Earth modelled here is fairly large - with XYZ scale values just shy of 4700 - in case I animate any camera moves with hero objects such as a starship (I've given a name to my pain and it is parallax.) This was rendered using Maya's software. Mental Ray produced an undesirable grid pattern on the planet - I'm not sure why. Have a click for a closer look...